More about The Elftones....

More about Mara...	About Mara... I played a violin for lots of years before I found that it could be a fiddle, and that I enjoyed playing it that way. I grew up in New England, but didn't discover contra dancing and the wealth of music for it until I moved to North Carolina and started going to contra dances in the early 1990s. I like dancing, but I really prefer playing for the dancers! One of my favorite things about playing for contra dances is making the music fit the shape and feeling of the dance. I also like playing for English and Scottish country dances. I enjoy playing for the Sun Assembly, the English country dance community in Durham, NC, whenever I can, and for a variety of Scottish country dances. I don't think of myself as very competitive, but I learned a great deal from participating in Scottish fiddle competitions. In 1999 and 2000 I won the Loch Norman Scottish fiddle Open competition, and in 1999 I won (much to my surprise!) the Grandfather Mountain Scottish fiddle Open competition. I definitely like playing for dances better than for competitions, but I've learned a lot from competing. In 2002 I was on staff at Pinewoods for the Scottish sessions, a memorable 10 days! 2003 took me to Ramblewood, another wonderful experience. In 2004 I spent a delightful week as a staff musician for the Teachers Association of Canada (TAC) Summer School in Waterloo, Ontario, and I will be returning there this summer to play. 2005 found me playing with The MacRowdies for evening Scottish country dances at the Loch Norman Highland Games, and leading a week-long Scottish fiddle workshop at John C. Campbell Folk School, in Brasstown, NC (September 2005). This year (2006), the MacRowdies returned to Loch Norman, and we'll be there next spring, as well.
	About Roger ... Roger Gold grew up surrounded by music. His parents and older sister all sing and play various instruments. He knew at the age of six that he wanted to play guitar and persisted until his parents found a teacher. His interests took his guitar playing from the ever present folk, through electric teen-age-rock, to Traditional, Celtic, and more. He likes to "play" with the music; turning waltzes to klezmer, Bach into swing, and doing even stranger things to the tunes he writes. Roger's guitar styles range from classical to hard driving, rhythmic, contra dance music. He enjoys contra dancing, and enjoys playing music for contra dances, and has yet to figure out how to do both at the same time.

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